“That turns it into a movie. The iive essenbsp;is lost.”他想了想，“What if… we create a ‘meditative space’? A **all room, with ss on walls. The game runs in real time, but slowed down. A day in the game equals an hour in real time. Visitors bsp;e in, sit, watbsp;the world unfold. They bsp;i, but minimally: ge weather, ge time of day. Not to ‘py’, but to ‘observe’.”

        这个想法让李君宪心里一动。慢速的、观察式的体验，正好符合“冲淡”和“悲慨”的气质。但技术上……

        “技术上可行。”陈末在耳机里说，“我们可以做展览专用版本，锁定视角，简化交互，优化性能。但需要调整代码，时间很紧。”

        “We bsp;try.”李君宪对Michael说。

        “Good.” Michael看了眼时间，“Now, about the embroidery. We’d like to dispy the inal, with proper lighting and servation. And we’d like to include a short video about your mother’s story. Would that be acceptable?”

        叶晚看向李君宪。李君宪点头。叶晚说：“Yes. It’s okay.”

        “Excellent.” Michael最后说，“Our exhibition ‘Poetry in the Digital Age’ opens in September. We’d like to include your work. But we need to see a plete, polished version of at least one realm by June for final sele. And we’d need the embroidery and all supp materials by August.”

        六月。现在四月。还有两个月。要完成“飘逸”的完整可展示版本，还要准备所有参展资料。

        “We bsp;do it.”林薇说，声音很稳。

        “One more thing.” Michael顿了顿，“Funding. MoMA bsp;provide a modest exhibition fee, and cover shipping and insuranbsp;for the artworks. But travel, aodation, additional produ costs… that would be your responsibility. Are you able to cover that?”

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